Mário

Mário follows the story and legacy of Mário Pinto de Andrade, founder of the People’s Movement for the Liberation of Angola (MPLA), Pan-African thinker and activist whose critical mission within the African liberation movements of the 60’s and 70’s laid the groundwork for the identity and representation of the newly formed African nations after European colonization.

Growing up in Angola, one of the last European colonies in Africa, Mário left his home in 1928 to study in the Portuguese metropolis of Lisbon for what would become a lifelong exile. With companions from other Portuguese-held territories — Cape Verde, Mozambique, São Tomé and Guinea-Bissau — Mário coordinates the bases of the liberation movements of the Portuguese colonies from Paris where he is secretary at Présence Africaine magazine and an active member in the city’s intellectual scene. Internationalist solidarity and a deep love for his homeland leads Mário to devote himself completely to the liberation of the African colonies, traveling the globe on a mission for the success of the flowering liberation movements in Africa and worldwide.

Mário was the founding member of the Angolan liberation movement MPLA, its first president and main diplomat; the founder of CONCP (Conference of the Nationalist Organization of the Portuguese Colonies), a unique organization gathering all the liberation movements from the Portuguese colonies in a joint effort of independence from Portugal; a respected keynote speaker at several conferences on African culture, identity, and politics; a frequent contributor to several newspapers and cultural magazines and a regular contributor to UNESCO. A war strategist, prolific writer and thinker, Mário’s efforts were frank and direct in the fight for liberation until independence, and in the work for peace following the 1975 civil war in Angola.

The legacy of Mário Pinto de Andrade is evident in the rich archive of his socio-economic analysis of modern African affairs, his quest for a proper understanding of the origins of identity in Africa, his poetry, plays and screenplays, and in the memories of his family, friends and disciples, who tell of his great spirit and rigorous mind, and universally, of a deep admiration from all those who encountered him.

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Mário

Mário follows the story and legacy of Mário Pinto de Andrade, founder of the People’s Movement for the Liberation of Angola (MPLA), Pan-African thinker and activist whose critical mission within the African liberation movements of the 60’s and 70’s laid the groundwork for the identity and representation of the newly formed African nations after European colonization.

Growing up in Angola, one of the last European colonies in Africa, Mário left his home in 1928 to study in the Portuguese metropolis of Lisbon for what would become a lifelong exile. With companions from other Portuguese-held territories — Cape Verde, Mozambique, São Tomé and Guinea-Bissau — Mário coordinates the bases of the liberation movements of the Portuguese colonies from Paris where he is secretary at Présence Africaine magazine and an active member in the city’s intellectual scene. Internationalist solidarity and a deep love for his homeland leads Mário to devote himself completely to the liberation of the African colonies, traveling the globe on a mission for the success of the flowering liberation movements in Africa and worldwide.

Mário was the founding member of the Angolan liberation movement MPLA, its first president and main diplomat; the founder of CONCP (Conference of the Nationalist Organization of the Portuguese Colonies), a unique organization gathering all the liberation movements from the Portuguese colonies in a joint effort of independence from Portugal; a respected keynote speaker at several conferences on African culture, identity, and politics; a frequent contributor to several newspapers and cultural magazines and a regular contributor to UNESCO. A war strategist, prolific writer and thinker, Mário’s efforts were frank and direct in the fight for liberation until independence, and in the work for peace following the 1975 civil war in Angola.

The legacy of Mário Pinto de Andrade is evident in the rich archive of his socio-economic analysis of modern African affairs, his quest for a proper understanding of the origins of identity in Africa, his poetry, plays and screenplays, and in the memories of his family, friends and disciples, who tell of his great spirit and rigorous mind, and universally, of a deep admiration from all those who encountered him.

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Constelações do Equador

May 30th 1967. Colonel Odemegwu Ojukwu unilaterally declares the independence of the state of Biafra from the Nigeria. The Nigerian federal government ruled by Yakubu Gowon leads a military offensive over Biafra to recover the region. Hostilities open way for large-scale war and the first post-colonial conflict in African soil. Saint Tome, at the time a Portuguese colony, is close to Biafra by air. Its geographic position permitted the establishment of an airlift which saved of hundreds of thousands of children from starvation. Fifty Yeats later, a phantom in San Tome wonders amidst what remains from this event considered the first civilian aid mechanism in the 20th century.

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A Story from Africa

Na sequência da Conferência de Berlim de 1885 quanto à divisão de África, o exército português usa um oficial talentoso para fazer o registo fotográfico da ocupação efectiva do território conquistado em 1907 ao povo Cuamato, no sul de Angola. A Story from Africa dá vida a este arquivo fotográfico através da história trágica de Calipalula, o fidalgo Cuamato cujo papel foi decisivo no desenrolar dos eventos desta campanha de pacificação portuguesa.

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A Story from Africa

Na sequência da Conferência de Berlim de 1885 quanto à divisão de África, o exército português usa um oficial talentoso para fazer o registo fotográfico da ocupação efectiva do território conquistado em 1907 ao povo Cuamato, no sul de Angola. A Story from Africa dá vida a este arquivo fotográfico através da história trágica de Calipalula, o fidalgo Cuamato cujo papel foi decisivo no desenrolar dos eventos desta campanha de pacificação portuguesa.

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Alugar

O Canto do Ossobó

In the middle of the Atlantic, off the equatorial western African coast lies Sao Tomé, a small archipelago discovered by Portuguese sailors. Originally unpopulated, the colony grew as a major slave trade platform between Sub-Saharan Africa and the Americas, while also growing as a main cocoa and coffee producer through plantations structures imported from Brazil called Roças. In 1876, slavery is abolished all over the Portuguese empire while labour at the plantations is replaced by a paid forced labour system that would last until the collapse of Portuguese colonial rule in 1974. Populated over the centuries by slaves and labourers from other Portuguese African colonies - Angola, Mozambique, Cape Verde – San Tomeans inherited poverty and alienation, finding belonging solely in the legends of their ancestors.
Song of Ossobó, the lamentation chant of the unrooted bird, is one of them. The film features today’s life in Roças Rio do Ouro and Água-Izé, which were among the largest cocoa plantations in São Tomé and Príncipe, combined with archive footage commissioned by the Salazar regime and personal family videos shot by the director’s father in visits to Sao Tome after immigrating to Portugal in the 70’s.

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Escola de Cinema

Five film students share their motivations, inspirations, doubts and regrets about their future while working on each other’s’ film projects, in search for a relationship of each one’s life with the will to make films.

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Escola de Cinema

Five film students share their motivations, inspirations, doubts and regrets about their future while working on each other’s’ film projects, in search for a relationship of each one’s life with the will to make films.

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